![]() Adrift and wandering into the more affluent streets, he becomes enraptured by the beautiful Alara Chel, a descendant of the Maya. The merged tails of the snakes transform them into a double-headed Vision Serpent, the direct link between the spirit realm of the gods and the physical world of the Mayas.įlash-forward to an unspecified city in 2010, They Also Burn People follows Cortez Vuscar, a solitary young man and Diego de Landa’s descendant who is determined to save his struggling church. Connecting past and present, the serpent eating the roses presents a twist to the Ouroboros myth and hints at the death and rebirth at play in the series. The addition of a serpent brings a conflicting dichotomy in the form of a god for the Mayas and a devil for Christians. White roses, often associated with the purity of the Virgin, loyalty and confession in Christianity, appear among the flames too but as symbols of death, torment and martyrdom. Inspired by conflicting symbols in the Christian and Maya religions, our cover cook created a flaming design that reveals the cross of La Santa Inquisición within the blaze. ![]() Chronicling his thirteen years in the Yucatán, the novel ends with the infamous book burning event of July 1562, during which he held a public ceremony for the indigenous people and saw centuries of traditions go up in flames. Convinced God intends for him to fulfill a whispered prophecy, the young Friar Diego de Landa eagerly works to convert the Maya of the Yucatán Peninsula. Set in 1549, Where They Burn Books narrates a fictionalized account of Diego de Landa’s Maya inquisition. Well-suited to Hernadez’s palate, the initial designs are visually very similar to the published covers, with only final seasonings added to taste. However, since Where They Burn Books, They Also Burn People is the gripping combination of the first two books, interweaving the past and present through the straight alternation of the chapters, our cover cook immediately suggested distilling two covers that interweave in the same manner as the chapters to create a new third design.įollowing Hernandez’s approval of the concept, our cover cook got to work and submitted a fine-tuned first course of sample designs. For the cover designs, Hernandez was craving a recipe that resonated with the visual style of the collection’s first installment and requested three different designs for each title. Inaugurated with The Education of a Wetback, the collection’s newest additions include Where They Burn Books They Also Burn People and Where They Burn Books, They Also Burn People. Haunting character portrayals and authentic settings delivered in rich detail and vivid narrative present a chilling take on humankind’s fatal flaws and the sometimes dangerous force of desire. From the suburbs of Washington, D.C., Marcos Antonio Hernandez brings the historic events of lesser-known indigenous struggles to light through his captivating Hispanic American Heritage Stories collection.
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